Friday, February 25, 2011

The Ghosts of Campbell House

250px-Campbell_House_Exterior
Greetings from Hugh and Hazlett -- Picture courtesy of Wikipedia

by blogSpotter
In 2006, a friend and I visited St. Louis Missouri. I had never been to that fabled Gateway and enjoyed my visit thoroughly. We stayed near the downtown area and saw most of the sights including the famous Arch built in 1965 as well as the fashionable Delmar Avenue district. St. Louis is a fusion place for several American traditions. The jazz bars and BBQ joints call to mind the Deep South while gray squirrels and blustery North wind put you back into a Yankee state of mind. With blocks of deteriorating brick mansions and rows of defunct 19th century warehouses, I can’t help but think how an ambitious developer might want to gentrify all of it. Saint Louis is like a fading, but still beautiful dowager queen -- a city that once was the center of American commerce. I would heartily recommend it for someone wanting a substantial slice of American history and culture.

One site is little known or talked about and yet it made the biggest impression of all -- the Campbell House Museum near the downtown district. Campbell house is the meticulously restored mansion that once belonged to 19th century banking tycoon Robert Campbell and his family. The 1851 Federal style house was purchased by the showy Campbells for $18,000 in 1854. 18K was a bundle for that era. Campbell died with a net worth of $2 million and also was known for his dabbling in real estate, gold and the fur trade. He and his wife, Virginia entertained lavishly and even once hosted a dinner party for Ulysses Grant and retired General Sherman.

The house itself at 20 Lucas Place, was state-of-the-art for its time. It had servants’ quarters, a carriage house and (most impressively) indoor plumbing. The kitchen counter was crudely hewn wood and the upstairs toilet was also made of wood. We have to recall that those were once rooms of service and function -- not the luxuriant spaces we have now with granite counters, wine racks and garden baths. The Campbell’s had the house from 1854 until 1938 when the youngest son Hazlett died at age 83. The home was subsequently converted to a public museum and most of the Victorian-era furniture (sold in estate auction) was tracked down and repurchased. Wallpaper, paint and other effects were meticulously restored using photos and letters as reference points. The house now serves as an incredible venture into mid-19th century decadence if you will. With some minor adjustments, you might just love living there now.

But for all the beauty of the building, the human ghosts of Campbell house are by far the most gripping part of the story. From its beginning, the story has an eerie feel. Robert proposed to Virginia and she flat-out turned him down. After Robert pleaded with her in person and via mail (over some months), she finally caved and married him. The very fact that the marriage was conceived in an act of practicality and exasperated “settling” is something that did not bode well for the future…

The Campbells had 13 children -- but here is where their wealth oddly did them no favors. The indoor plumbing drew its water from a common supply that wasn’t treated for contagions. 10 of the 13 children died from various diseases -- cholera, diphtheria and typhoid. Only 3 boys survived to adulthood -- Hugh, James and Hazlett. All 3 boys were tall, athletic and handsome -- they attended Ivy League schools and traveled through Europe in the 1880’s. But the cold wind of fate wasn’t near the end of its course… James caught the flu in his early 20’s and died from that. Hazlett started having mood swings and erratic behavior in his early 20‘s -- later these might be diagnosed as manic depression or schizophrenia. He was actually treated with cocaine (labeled vials were found in his estate) -- cocaine was a legal and approved treatment for “melancholia” in the 19th century. But Hazlett remained unemployable and cloistered the rest of his days, cared for by his older brother Hugh.

Hugh actually survived into old age in a state of good health and mental soundness. In earlier years he entertained, gave to children’s charities and was a congenial, man about town. But Hugh never married or had children. None of the boys did. In his middle age, Hugh became nearly as reclusive as Hazlett -- neighbors observed that only servants and delivery people were ever seen entering or leaving the house. Hugh died in 1931, prearranging Hazlett’s care by paid nurses. Hazlett died in 1938 with no living heirs, thus setting the stage for a Campbell Museum.

Thus you walk through the Campbell’s living room, regaled by stories of civil war generals, amazed at the beautiful Victorian davenport in authentic red fabric. You love the carriage house, replete with a carriage. But then in the dining room, you gaze at the photo of three robust young men in Paris. Whom did they marry, what dragons did they slay? There must be 15 grandchildren and 50 great grandchildren. In so many families that would be imperative. But here, the sad thread, the weird curse of Robert and Virginia Campbell has its final, quiet close. The Campbell House has so many stories to tell, and so many other stories left unspoken.

© 2011 blogSpotter

Labels: , ,



Saturday, February 12, 2011

The Archos 28 Experience

A28IT_G-sensorweb
Surprisingly fun & interesting -- Picture courtesy of Archos

by blogSpotter
As recently promised, I’m doing a review of Archos 28, an internet tablet (a la iPod Touch) sold by the French consumer electronics company, Archos. My larger purpose is to demystify the Android operating system for myself and compare it to other systems, primarily Apple IOS4. I actually like my Archos 28 -- it’s cute, albeit problematic. Below I have a long list of problems discovered followed by some redeeming qualities.

Let me preface this by saying that I got the extremely, cheap, small, entry-level, 4GB Archos 28 model for $98. I didn’t want to squander too much money for my experimental foray. Keep that in mind. Also on this bulleted list, some of these items are closely related so there may be a bit of overlap going on …

ARCHOS 28 -- the problems encountered
o The apps frequently freeze and I have to reboot.
o The unit can be slow, so that buttons (like Back/Return or Home) seem very unresponsive
o On several software installs I get a cryptic “App did not install” with an orange triangle. No further message box or tab to say what is wrong
o Internet connection comes and goes; constantly have to reconnect
o Klondike Solitaire took 15 hours to download, probably because of the above bullet. Other software downloaded promptly.
o Where Apple refactored its displays for each size of screen, Archos didn’t refactor the display for a tiny 2.8” screen. Therefore the program icons are miniscule and I need strong reading glasses to read it.
o Related to above bullet -- the pop-up keyboard is tiny. The unit is supposed to be touch screen (like iPhone) but I had to dig out my Pentopia stylus (purchased in 1998) to type on it.
o This is maddening -- the Touch screen confuses a swipe for a click and vice versa. I have to be careful not to touch any icons when I swipe, else it will open an app I don’t want.
o The Archos 28 is a little bit larger than a Zune and smaller than an iPod Touch. They sacrificed quite a bit of screen area for hardware controls. Sometimes for the vision-impaired or for workout mp3 players you want hardware buttons that can be felt with fingertips. The irony here is that the Archos buttons are flush with the front of the unit so that a blind person couldn’t feel them anyway. Apple’s iPod Touch has a beautiful, large “retina” display -- it uses software buttons that can vanish when needed.
o No reason found for this (yet) -- I downloaded an MP4 of a television episode (Mary Tyler Moore if you must know :-) ). The soundtrack is way ahead of the video image. It’s not just a little out of synch.
o Because Android OS has a one-size fits all approach, you have to be careful what you download. I downloaded some apps (eg YouTube, X-Construct) which were too big for my memory. They either didn’t load or they crashed my unit. Apple’s App Store doesn’t make apps available that don’t scale well to a particular device -- you don’t have this unpleasantness.
o Another unexplained piece of weirdness -- sometimes the “On” button doesn’t work. I have to press it for 2 minutes (and force a reboot) to get the unit to come on. Don’t know if I somehow gracelessly terminated a prior app or what I did.

Archos 28 -- the plus column (including some A+ Google apps)…
o Places -- This app will show you hotels, bars, hot spots etc close to your zip code. This is free, you have to pay good money for it elsewhere
o Navigator -- This is actually a GPS app that would run you $90 elsewhere.
o Flash Player -- this downloads and works like a champ. All those forbidden Flash sites can come to life.
o Android market is way cool. It actually does wireless “air purchase” because Android market remembers whatever handheld you last connected to the market with. You can install purchases from the PC app to your handheld wirelessly. Way cool, almost seems like science fiction.
o Archos 28 has a nice form factor in a beautiful dark magenta, metallic finish. If you only can get one color, that’s a helluva good color.
o Did I mention this one was only $98? $107 with tax?

CONCLUSION
In spite of my whiny laundry list of compaints, this little device is fun and I find myself fiddling with it a lot. I’ve downloaded games and apps (DoubleTwist, Traffic Jam) which fit comfortably in its small memory and work well. Probably the Samsung Galaxy tab would avoid many of the app freezes and download problems mentioned above.

Apple’s approach is admittedly more paternalistic -- they don’t want you getting app freezes and abends. The Android OS is more of a “wild west” approach for people who are willing to risk the difficulties involved for a more liberated environment. Can see the advantages of both sides, I have to admit. I still say, “Advantage Apple” because nearly every cool feature of the Androids (touch screen, accelerometer, app store) is a feature introduced by Apple, probably 2-3 years earlier.

© 2011 blogSpotter

Labels:



Sunday, February 06, 2011

Channeling Elvis

220px-Elvis_presley
Elvis is back in the buiding -- Picture courtesy of Wikipedia

by blogSpotter
THE WEATHER IS HERE...

Today, DFW is recovering from one of the worst snowstorms we’ve endured in 20 years. It’s ironic, because this was Super Bowl week, when the DFW Metroplex was rolling out the red carpet to basically the entire football-watching world. What the world got was a city frozen to a crawl, and a newly expanded DART rail knocked out of commission. Adding injury to insult were large chunks of ice that slid off the Cowboy Stadium and onto the heads of nearby workers and photographers (6 people injured in all). People be aware this was all freakish in the extreme -- we normally wouldn’t be having Jerry’s Ice Follies. Dallas’ January high is usually @ 57 and normal low is 32. We were topping out at 22 during the worst of our inclement situation. It’s now Super Bowl Sunday and we’ve recovered to a drizzly 48. Not being a football fan, I can’t comment (credibly) on the game in progress. So, on to our blog topic du jour

ELVIS

This morning I watched 1962’s Kid Galahad with Elvis Presley, Charles Bronson and Gig Young. The movie kept very nobly to the Elvis movie formula. Humble roustabout hires into a reasonable work setting which gives way to perilous complications (Pick: pirates, gangsters, Hells Angels, etc) and one or two pretty girls vying for affection. Throw in some blandly cute songs and you’ve got yourself the Elvis concoction. This morning I was feeling slightly morose -- needed something light and frivolous. Think of it as visual junk food, delivered in HD quality by Netflix.

Several things amaze me as I watch this movie, things that make me want to go back to 1962. Kid Galahad features boxing; the young men featured (including Elvis) all have nice builds but they don’t have six-pack abs, chiseled pecs or 30” waists. Nowadays you wouldn’t be admitted on the set without looking at least as good as Jersey Shore’s Situation. We didn’t used to have a requirement that you live at the gym.

Gig Young and the other older gents wear slacks and cardigan sweaters even in casual situations. Actually so does Elvis for the picnic scene -- he wears slacks and a fitted sport shirt. We’ve gone a different way from that now, where torn jeans, flip-flops and graphic tees can almost be suitable fare in a cushy restaurant. The lazy blog author must also confess to such sartorial laziness BUT -- I respect and admire the days of yore when we used to give a darn. Gig Young looked better drinking and playing pool than I would look going to church.

I also miss the innocent attitude of the movie, a simplicity of life that never existed even then. Kid Galahad was dated even three years after it came out -- a piece of matinee fluff with no discernible challenge to the intellect. No matter to me -- the movie was a visual excursion and a welcome bit of Hollywood hokum with all the loose ends tied. Handsome guy gets pretty girl. Villains are vanquished. Even the “old people” (Gig Young and Lola Albright) hook up -- in marriage of course, this being 1962. End scene, plan for next Elvis flick. In this movie I got to see the lovely Joan Blackman decked out in Kennedy-era fashions and saw a smattering of early 60’s cars (e.g., a ‘60 Pontiac) in brand new condition. It could be without a soundtrack and I’d like the imagery that rolls across the screen.

Alas, nothing is that great -- then or now. Fluff movies were the reflection of a fluff society that chose (until the mid 60's) to ignore, never explore its dark or wild side. Elvis OD’d at 42 and Gig Young offed himself (in a lurid murder suicide) in 1978. The loose ends certainly came untied at the end -- reality didn‘t track very closely to a Hollywood script.

I have to suppose that Kid Galahad has about the significance of a Hallmark greeting card in both its prettiness and its two-dimensionality. But thank you nonetheless, Hollywood. Maybe in some weird sense, “how things look” is a decent indicator of “how things are“ in the given instance. In 1962, Elvis was still King, Gig Young was an Oscar caliber actor and the world was at least in part, a colorful rock-and-roll twist party that can still put a smile on our faces in 2011. I’ll accept and enjoy the Hallmark greeting even if it arrives slightly tattered and torn.


© 2011 blogSpotter

Labels: ,